Waves of Sound Without Shore explores how personal memory, cultural trauma, and diasporic sound intertwine. Within this performance, Lem TragNguyen translates research into an embodied practice, where memory surfaces through voice, silence, and the subtle gestures of the performing body. Drawing on concepts such as cultural trauma, diasporic archives, inherited silence, and folk music as collective memory, the work weaves together forms like lullabies, fragments, and the unstable intimacies of wartime. Together, these elements create a shared ground between scholarly inquiry and artistic expression.